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Book Review: Confetti Naturescapes

confetti naturescapes

Confetti Naturescapes

Noriko Endo
Dragon Threads; $29.95

Award-winning Japanese quilter Noriko Endo’s quilts are often recognized for their impressionistic landscape style. Starting with a photograph as her inspiration, she creates the quilts using her unique confetti technique, layering bits and shreds of fabric on batting, topping it with tulle and then machine quilting the piece. Noriko offers step-by-step instructions for choosing your subject and then designing, quilting and finishing your quilt. The book includes Noriko’s personal story, a discussion of where she finds inspiration as well as an extensive gallery with abundant closeup shots. If you’re a fan of her quilts, you’ll enjoy the closeup into her work. And, if you want to create your own quilts based on her confetti technique, you’ll have the tools to do so.

Here’s a link, if you’d like to add it to your library.

What I Saw at Quilt Market, Part 1

Each year I’m always amazed at the numbers of new fabrics, notions, tools, etc., that are introduced at Quilt Market. Here is some of what I saw.

1. Gammill Quilting Systems introduced a new tracking system. The Breeze Track System features 16 stainless steel wheels on a vertical track. Customers found the Breeze Track System offered less vibration and was quicker moving than the horizontal 8-track rubber wheel system. You can have your machine retrofitted for $1,000.

2. I saw more laminates and oil cloth. Several designers, including Tula Pink with Westminster Lifestyle Fabrics, did a line that featured some of her designs in both fabrics. Also from Westminster’s FreeSpirit division is the new Designers Basics Program featuring solids, dapples, houndstooth, twine, instincts, pinwheels, beads and frescos that combine with the prints from Westminster.

3. Hoffman Fabrics has terrific new Bali batiks that feature seahorses and shells. The lines have been popular with buyers along the coastal areas.

4.  Also in the batik area, I saw a wonderful 1/2 inch batik stripe in the Elementals line from Lunn Studios and Robert Kaufman Fabrics. Also from Kaufman is the bright, fun and cheery Daisies & Dots by Piece O’ Cake Designs.

5. Shelly Stokes with Cedar Canyon Textiles introduced her new book Design Magic for Paintstiks on fabric as well as new DesignMagic(TM) stencils and new Sorbet Paintstik colors.

6. Joan Hawley with Lazy Girl Designs was in the Checker booth showing off her newest patterns, including the “Suzi Purse Insert and More” designed to be used as an organizer for your purse or a desk caddy. The pattern includes two sizes and is perfect fit for any of bags made from Joan’s patterns or bags you already own.

Stay tuned for more next week.

Book Review: Rose of Sharon Block Book

Rose of Sharon Block Book

The Rose of Sharon Block Book

Sharon Pederson
Martingale & Co.; $24.99

Since I wrote about charitable donations earlier, a review of this book seemed perfect. In the Spring of 2008, Sharon Pederson’s business partner, Elizabeth Phillips, suggested a number of ways that Sharon could promote her newest book, Machine Applique for the Terrified Quilter. Before Sharon knew what hit her, she had a bright orange template for her Rose of Sharon quilt that led to the block challenge. Along the way she and Elizabeth worked with Electric Quilt to make the block shapes available on its website, designed a die for the AccuQuilt machine, worked with Island Batik to provide fabric for the blocks and worked with Oklahoma Embroidery Supply and Design (OESD) to have the blocks digitized. The bonus was supporting a charity in the process, and they choose Alzheimer’s Art Quilt Initiative. Sharon’s challenge drew 850-plus blocks which were narrowed down to 12. The final 12, plus a block from Sharon and Elizabeth, were made into a finished quilt. This book includes not only this quilt and its 13 blocks with instructions, it also showcases an additional 70 blocks. If you don’t want to make a large quilt, you can use any of the blocks to make the three-block wallhanging or pillow patterned in the book.

Here’s a link, if you’d like to add it to your library.

Looking for Talent and Spirit? Hire an Intern!

Imagine a highly trained, motivated and energetic intern helping out over the summer or during your busy fall or winter season. Coming right out of the classroom, interns possess up-to-date technical knowledge and can assist with anything from the most basic tasks to the more complex, freeing time for you or your staff to take care of other details.

As a member of the IAPQ, you can participate in an academically acclaimed internship program where students receive hands-on experience in the textile field. It’s your newest benefit as a member of the International Association of Professional Quilters. The program, Pathways into Professional Needlearts (PiPN), was created in 2006 as a partnership between The National NeedleArts Association (TNNA) and the University of Akron (Ohio) School of Consumer and Family Sciences. Since its inception the program has placed more than 60 interns/apprentices with TNNA members and reached students from dozens of colleges across the country.

The benefits of hosting an intern go far beyond the extra help he or she brings. Based on comments from TNNA PiPN hosts and echoed by educators, career counselors and other academic experts, PiPN provides a company with much more than a free hand. Students bring fresh talent and spirit, new perspectives and insights, shedding light on what the future holds. Usually representing the next generation (although non-traditional students participate), these young people are current/future customers and tomorrow’s professionals.

Internships have long been valued as a means for students to acquire real world experience and develop important professional relationships. Interns learn new skills, gain industry-specific knowledge and develop a better understanding of how business operates. In addition to enabling them to “test drive” a career, an internship can be a direct road to future employment. Usually unpaid, internships and apprenticeships are even more important within the current economy.

Of course, hosting a student also carries some responsibilities. As non-professionals, they require oversight and direction. By mentoring others, however, we often learn more about ourselves and our businesses. At the same time, when the internship ends, you have a personally trained individual who could, if appropriate, become an employee. Research has indicated a higher rate of employee retention within companies that hire past interns simply because everyone already knows and understands the job at hand.

PiPN recruits students from colleges offering programs in the arts, fibers, textiles, crafts, sewing, quilting, fashion and merchandising, as well as business, marketing and design. They review all applications and work with the college internship coordinators and students so they have a more complete knowledge of each of the applicants.

PiPN also focuses on placements within small companies, a group not commonly able to draw interns. These types of businesses offer students greater opportunities to be totally involved, enabling them to learn and participate to the fullest.

PiPN only accepts Host Companies that are members in a professional organization, including IAPQ. This gives PiPN more direct knowledge of its hosts to better enable it to make appropriate placements.

As a host company you are allowed to define your own requirements and responsibilities, offer pay or not and review applicants’ information before accepting them. Currently PiPN is looking for host companies. If you are interested in applying, here’s a link for more information.  You can also read the experiences of interns on the PiPN blog here.

If you apply or have experience with interns, please let me know and share on the blog.

The International Association of Professional Quilters offers resources and networking opportunities for you to create a success from your quilting business. Learn about all the benefits of IAPQ membership and join here.

Book Review: Picture This!

Picture This

Picture This!
By Marcia Stein
C&T Publishing; $27.95

I have been a fan of Marcia Stein’s quilts for a long time. We even put one of her quilts on the cover of Issue 100 of The Professional Quilter. It’s the same quilt that graces the cover of her first book. Subtitled Appliqué Pictorial Quilts – From Photo to Fabric, this book starts with how to take better photos, how to choose the right photo for a quilt and then how to use your computer to look at the photos to determine value among other things. From here you’ll learn how to transfer your photo to a master drawing that you’ll use to select your fabric and create your quilt. Marcia covers three different methods of appliqué: turn-under, fused or raw-edge. In addition to a gallery of photos, you’ll find three projects with detailed instructions to develop and build your skills. If you are looking to learn the technique behind creating realistic pictorial applique quilts, this is an excellent resource.

Here’s a link, if you’d like to add it to your library.

Donating Your Work or Services


Fall seems to be ripe with opportunities for you to donate your work, whether that’s your original artwork or your product, such as a pattern or book. We all receive letters from charitable organizations, including guilds, asking for donations. While it’s wonderful to support so many worthwhile organizations, you cannot support them all. You may not have enough stock nor time to create more. And, if you respond to all the requests, your business could take a serious financial hit. On the plus side, you may get some media coverage and gain a collector of your work. When considering such requests, here are some suggestions/guidelines:

1. Choose a few charities that you care about and give to them. I’m partial to the Alzheimer’s Art Quilt Initiative. Many quilters have given to Fiberart for a Cause. Kathy Thompson with Quilters Dream Batting has started a project for ALS (Lou Gehrig’s Disease). The Quilts of Valor is another popular project. It will be easy to find a charity that touches your heart.

2. If you are an artist who is asked for a donation, consider asking the organization to share in the proceeds if your piece is auctioned. Ask that a reserve (or minimum) price be set for your work. This is particularly true if you are donating a one-of-a-kind piece of a great value. The organization still receives a fair return, and you should be able to recoup the costs of your materials. If you donate a great deal of artwork that sells for lower prices, this could “devalue” your artwork to your regular audience.

3. Remember that you are only permitted to write off on your taxes the costs of your materials. You are not permitted to write off the value of your art and your time. Perhaps you’ll find a better option is to make a monetary donation that you can deduct fully.

4. Consider offering prints or giclees of your work in lieu of the original artwork. Check our blog for the post on giclees or refer to Issue 112 of The Professional Quilter for the full article.

5. Consider who receives your donation. I regularly receive requests from guilds across the country to donate something for their annual show or shop hop. Since our audience is limited to professionals, I have no way of knowing if a professional will win the prize. If I choose to make a donation, I do it as a gift certificate and include information about IAPQ. Hopefully a professional will take me up on the gift.

6. Sending a gift certificate, as I do, is an option for many, particularly with the requests for guild shows. Pattern designers can send a pattern – either new or one that is no longer being produced – or a gift certificate with a catalog. Longarm quilters, already so generous with their time, can offer to quilt a top for someone who is making a charitable donation.

What are you guidelines or suggestions for donations?

The International Association of Professional Quilters offers resources and networking opportunities for you to create a success from your quilting business. Learn about all the benefits of IAPQ membership and join here.

Market Your Work With Giclees

Artists are often searching for additional ways to market their work, and giclees can be a way to increase your sales without increasing production time. Eileen Doughty took a look at the process and how quilters were taking advantage of the technology. Here is an excerpt from her article:

A giclee (or giclée, pronounced zhee-klay) is generally understood to be a high-quality inkjet reproduction of artwork. The high-quality giclee printer is not the same as a standard desktop inkjet printer. It is much larger and uses up to 12 different inks at one time, thereby providing excellent color accuracy. Because the colors are sprayed, rather than produced with the screens that offset printing machines use, the image is not constituted from a dot screen pattern. Giclee printers use archival, light-fast inks, which, if kept out of strong light, should not fade for many years.

Fine art printmakers do not want giclees to be called prints, preferring the terms copies or reproductions, since giclees were not created by the actual hand of a printmaker. A giclee usually does not appreciate in value, unlike a true fine art print. Museum curators are likely to use the term “digital inkjet print” for original artworks created solely in the digital medium (on a computer) and then made tangible with inkjet print technology.

The first step is to choose a printer. Be sure to examine samples of the printer’s work ahead of time and to always get a proof of your own reproduction. The quality of your reproduction depends on the quality of your original, whether a photograph or an original scan.

One of the advantages of giclee printing is that it is cost-effective to print only a few, or even one, of an image. The artist can decide whether to stock up with several for future orders or print as needed. Many artists simply offer reproductions of their most popular quilts. Sometimes the giclee is a smaller size than the original – not unusual for very large quilts. The decision for reducing the size might be to cut costs or it might be that the printing equipment has a size limit.

Price points are arrived at in various ways. Some artists double the printer’s cost. Others research the prices set by other artists in their area. One artist sets the price at five times the cost of materials. Aim for a final price that covers materials, overhead and profit, and also your time.

You can learn more about giclees and the experiences of quilt artists including offering limited editions and the effect the giclees have on the quilt market in the Summer 2010 issue of The Professional Quilter. This is available to members of the International Associaton of Professional Quilters. You can join here.



The International Association of Professional Quilters offers resources and networking opportunities for you to create a success from your quilting business. Learn about all the benefits of IAPQ membership and join here.

Book Review: Sew the Perfect Bag

Super Strata ?Quilts

Sew The Perfect Bag

Sew News
Martingale & Co.; $22.99

Who hasn’t sewn a bag? I have a theory about why women have so many bags, as well as shoes. They always fit! And if you are looking for another bag to add to your collection, Sew The Perfect Bag has some great patterns, 25 to be exact. The patterns, which originally appeared in the pages of Sew News, include a lovely sashimi stitched silk duping clutch, a messenger bag that’s full of pockets and an insulated wine or beverage carrier. You’ll also find a diaper bag with an attached vinyl changing pad and side pockets big enough for two full-size bottles. And if you’ve ever accidentally washed a wool sweater, you’ll find instructions for creating a felted tote. This is a versatile collection and you’re sure to find something that fits your needs.

Here’s a link, if you’d like to add it to your library.

The Power of Five

When I was on vacation in Florida last month, I took a water aerobics class. One morning the instructor noted that we only had four months left in the year to accomplish our goals. While she was referring to our health goals, we now have three months to accomplish our other personal or business goals. How close to your goals are you? I know I still have some work to do on mine. One tool I use could be called “The Power of Five.” I’ve probably always used some form of this concept, and Jack Canfield coined it the “Rule of 5” in his book The Success Principles

Simply take five steps towards your goal each day. They don’t have to be big steps; they can be baby steps. For example, if one of your goals is to promote your new pattern, sending a sample with a letter to five different distributors counts as five steps. The steps don’t have to big ones, just ones that move you towards your goal. And, I think that often the small steps get you there faster; they make the goal seem less overwhelming. Of course, to do this you have to break down the goal into specific steps, often referred to as “chunking.”

I use the concept several ways. I have a running list of things that need to be done for a project, and I can decide the night before what I will accomplish the next day. Then I use my calendar to note the five things I did accomplish. That lets me see that I am progressing towards my goal. And some days I don’t get five. That doesn’t really matter as long as I’m taking some action towards my goal. It’s about persistence with one step followed by another step.

The International Association of Professional Quilters offers resources and networking opportunities for you to create a success from your quilting business. Learn about all the benefits of IAPQ membership and join here.

Quilting Industry Value Exceeds $3.5 Billion

Every few years Quilts Inc. (producers of International Quilt Festival and International Quilt Market) and Creative Crafts Group (publishers of Quilter’s Newsletter Magazine) commission the Quilting in America ™ survey to determine the size and dollar value of our industry. They also look in-depth at 2,500 qualified “dedicated” quilters to learn more about their buying habits. Here are some of the key survey findings:

  • Total U.S. quilting industry value is $3,580,000,000 ($3.58 billion).
  • Total quilters exceed 21 million, an average of 1.3 quilters per household
  • Quilting households spent an average of $219 on their craft in 2010, up 27 percent from 2006. Dedicated quilters spend on average $2,442 per year on quilting for a total of $2.5 billion.
  • Dedicated quilters estimate the average dollar value of their “stash” to be $3,677 and their quilting tools and supplies to be $8,542.
  • Dedicated quilters own an average of 2.7 sewing machines and 25 percent own more than four machines. In the last 12 months of the survey period, 19 percent purchased a new machine spending $2,679 on the machine.
  • Currently 91 percent of dedicated quilters own a personal computer and 73 percent regularly access the Internet. They average two hours per week on quilting websites, 56 percent go online two or more times a day and 28 percent belong to Facebook.

You can read more about the survey, including additional results in the Summer issue of The Professional Quilter.

The International Association of Professional Quilters offers resources and networking opportunities for you to create a success from your quilting business. Learn about all the benefits of IAPQ membership and join