My time away last week reminded me how much I love to create, how important it is, and how I don’t spend enough time on creating outside the business. My goal for the rest of the year to schedule “me” time in for creativity and stick to it.

As I was thinking about how to schedule that time, I remembered the  lecture Elizabeth Gilbert gave at the 2009 TED Conference entitled “A different way to think about creative genius” about nurturing creativity. I went back and listened to it again. What struck me then as now was that when she was having a hard time writing, she took time and just spoke out to the corner, to let genius come to her; and if it didn’t, well, she showed up for her part of the job. Isn’t that we do many times when we create, we just show up? Sometimes it’s a wonderful effort; othertimes it’s just an effort. But we showed up.

I’m sure you’ve had times where you’ve showed up for the job but have been blocked creatively, whether it’s from pressures, fears, uncertainties or something else. Here are six ideas to jump start your creative juices:

1. Fill the well. Look at other art, either surfing the Internet or visiting galleries. Go on an artist’s date, a la Julia Cameron’s The Artist’s Way. And, be sure to step outside the quilt realm. Sometimes looking at other art is all it takes to get a new idea.

2. Set a challenge or goal for yourself. I think the journal quilt idea is a great one here. Challenge yourself to create something small each day or week. Pick a theme. When I did the monthly journals, mine were all pears. Or focus on a particular bit of nature in your yard and follow it through the year. And, move outside your comfort zone. If traditional piecework is your thing, grab some paintstiks and let lose. If you are an art quilter, try a pieced block for a change.

3. Create a daily ritual. Twyla Tharp writes about this idea in The Creative Habit. The daily ritual becomes so ingrained that it sets the pace for your day. She says, “It’s Pavlovian: follow the routine, get a creative payoff.” I liked her example of the chef who starts each day by tending the garden on the terrace of his Brooklyn home. This creative environment lets him putter, pick veggies or herbs, think about flavors. At this point, he heads off to the restaurant to begin creating. For me, I have a ritual of walking each weekday really, really early. The fresh air gets me going. What is your ritual?

4. Take a class to learn a new skill.This could be a photography class, a water color painting class, a cooking class, a computer class. Just being creative in some other area will translate into your quilt work.

5. Keep an idea journal, if you don’t already. Fill it with things that inspire you from in and outside the quilt world. When you’re blocked, leave your studio and pull out your idea journal. Ideas will surface.

6. Act as if you don’t have any blocks and then just jump in. One idea will lead to another. Remember that every piece of art you create doesn’t have to be perfect. One of the quotes I have tacked on my wall is “progress, not perfection.” If I waited for everything to be perfect, I’d still be waiting.

Here are two favorite quotes on creativity:

“In creating, the only hard thing’s to begin; A grass blade’s no easier to make than an oak.” James Russell Lowell

“Don’t ask what the world needs. Rather ask, what makes you come alive? Then go and do it! Because what the world needs is people who have come alive” Howard Thurman

So, get creating. Allah, Olé, Bravo!

Please share your ideas on dealing with creative blocks or creativity in general below.

Wonky One-Block Quilts
Marlous Carter
C&T Publishing; $21.95

If you or your students are looking for a way to add another level of interest to your quilts, give the wonky technique a try. The basics are simple: traditional blocks are created and then cut at a new angle. Once the blocks are all cut, they are pieced into a quilt. Sometimes you can easily find the original block; sometimes it’s difficult. Once you’ve got the technique down, Marlous Carter offers you eight projects plus a variety of creative borders. This would be a fun way to use a stack of blocks you’ve not put into a quilt yet.

Look for the book at your favorite quilt shop or book retailer. Here’s a link to Amazon  if you would like to learn more about the book.

Procrastination. We all know what it is: putting obstacles in our own way by handling those low-priority tasks instead of taking action on the high-priority tasks. The Latin roots of the word mean “in favor of” and “tomorrow.”

Dr. Piers Steel, a researcher on the science of motivation and procrastination and the author of The Procrastination Equation, says that procrastination is pervasive, with at least 95% of us procrastinating on a occasional basis. Count me in that group, as I found several ways to extend writing this article.

And we pay a price for procrastination. We miss out on opportunities, we cause ourselves unnecessary suffering, and procrastination also has an economic price. Steel says that procrastination falls into three different categories:

1. Expectancy, i.e., we expect to fail;
2. Value, i.e., we don’t value our work;
3. Time, i.e, we let momentary impulses rule us.

So how do we get beyond procrastination? Here are five tips:

1. Eliminating procrastination is tied to goals. Be sure you have set, clear goals and that you know why you want to accomplish them. You have to know why – your “Big Why.” What value do you attribute to completing these goals? It can also help you to break your big goal into smaller doable goals. And, if you need an extra push, consider finding an accountability partner to work as an external deadline for yourself. I’ve found this to be effective for completing the small doable tasks with my goals.

2. Learn how to prioritize. When you look at your list of activities for the day, which are most important? And, of the most important, are any urgent? One source to consider here is Stephen Covey’s matrix for prioritizing work. He classifies your tasks as urgent and non-urgent and then as important or not important. The problem with procrastination is that we neglect the important but not urgent until they become the fires we need to put out, i.e., important and urgent. We do this by focusing too much time in the not important quadrants.

3. Reward yourself. You can create a system whereby you earn points for each task that is accomplished as you set out, or you can pick a reward for completing the task. This should help focus you on the goal.

4. If low expectancy is one of your problems, try replacing your language. Expect that you will achieve your goals. That in turn will lead to self-confidence and optimism.

5. If impulsivity is your problem, try a technique Dr. Steel calls the “unschedule.”  He asks you to schedule play time into your calendar, being sure the amount of time is reasonable. He also suggests that “you should schedule an activity that represents the temptation you indulge in when you procrastinate.” For example, if you find that when you procrastinate, you surf the Internet, update your Facebook status or watch television, schedule time for that. Steel found that people that he worked with who “unscheduled” were better able to work on the task at hand.

6. Look for reminders that procrastination is a problem. I found the following quote from Victor Kiam – you may remember him as the man who “liked the shaver so much, he bought the company” – that I read periodically to remind myself that I might miss out on something good. Procrastination is opportunity’s assassin. 

Please share your ideas on dealing with procrastination below.

Orange Peel: New Quilts From Old Favorites
Linda Baxter Lasco, ed.
AQS Publishing; $26.95

I always look forward to each year’s release of the book showcasing the winning quilts in The National Quilt Museum’s annual New Quilts From Old Favorites Contest. The contest features creativity and innovation of individual quilters as they interpret a traditional block with their own design, this year being the year of the Orange Peel block. Each of the 18 winning and finalist quilts is featured in full color along with comments from the quiltmaker. What I like best about the book is that you learn about the quiltmaker’s design decisions, inspiration and techniques in constructing the quilt. I would not have thought about an Orange Peel block incorporating stained glass or Mola techniques. A terrific inspirational and learning resource.

Look for the book at your favorite quilt shop or book retailer. Here’s a link to Amazon  if you would like to learn more about the book.

Defining your product is key to creating a good marketing plan. To define your product, you consider both its features and its benefits. One of the keys to marketing is to sell the benefits not the features. How do you know the difference?

Features characterize the product; benefits are why we buy the product. Features are easy to describe. Examples could include size, color, design, hours of business, fabric content, years of business experience.

Benefits are more difficult to define. They do, however, answer your customer’s question, “What’s in it for me?” When you buy products, you don’t buy because of a feature; you buy because of a benefit. Benefit is the value attributed to the feature of the product; in other words, it’s the result of the feature. Benefits are not as easy to describe and are often intangible. The most compelling benefits are those that deliver emotional or financial rewards. Emotional rewards let the buyer feel good. Examples could be shopping at an online retailer who donates a percentage of your purchase to a charity you choose or sending a quilt to someone to let you express love. Products that offer financial rewards usually save time or money, offer convenience or make you money.

How do you determine the benefits of your product or service? Start by knowing who your customers are and then look at your product from their point of view. Who are your customers? Are they baby boomers with expendable income? Are they Gen Xers? Are they teens and tweens? Are they working mothers with little free time? You might be trying to reach a variety of groups and need to consider benefits for each of them. Consider also who has purchased your product or service in the past. What does your customer profile tell you about your product? For example, do you sell your product to customers who might be retired and have extra time for long-range projects? Do you sell your product to working mothers who want something quick and easy? Do most of your store’s customers shop after 5 p.m. and on weekends? Ask your customers to help identify your product’s benefits. You could do this informally or with a survey. Your customers might even identify benefits you didn’t consider.

Developing your benefits statement is an ongoing process. As you continue to market your product, be aware of additional benefits. You might ask your customers for suggestions to your product or service. Pay attention to complaints or unsolicited comments about your product. Also, consider what your competition is doing. Additionally, consider how you’ll package your product. You might find a benefit there.

Once you’ve established your benefits statements, you will be able to describe your products in ways that are important to your customer. You will do this in all aspects of promotion, whether that is in creating your marketing collateral, advertising your product, writing articles or speaking one-on-one to customers about your product. You will also be able to differentiate your product from that of your competitors. You will be able to provide a benefit to your customers that your competition cannot. Now you’re on your way to a successful marketing strategy.

Please  share your thoughts on creating your product’s or service’s benefits below on our blog.

The Quilter’s Color Club

Christine E. Barnes
C&T Publishing; $27.95

Most quilters at some point need help with color and Christine Barnes offers the perfect way for you to gain color confidence. She found that when students took her workshops they wanted more color help, particularly in a group setting. That led to her creating a “color club,” where you can work with friends to explore color concepts and get feedback. She even offers tips if you want to work as a “color club of one.” The club works by following 12 hands-on exercises titled “Give It a Try!” In addition to the 12 exercises, Christine offers eight projects that build on what you’ve learned about color, including value, intensity, visual temperature, luminosity and more. The gallery section of the book features 35 examples of quilts and vests that demonstrate the color qualities. Christine also answers questions that she frequently gets from quilters about color. I loved Christine’s practical, easy-to-follow approach to understanding color concepts, and anyone who “joins the club” will see positive results in the color in her quilts.

Look for the book at your favorite quilt shop or book retailer. Here’s a link to Amazon if you would like to learn more about the book.

Testimonials are a terrific way to help market your quilt or creative arts business. It’s word-of-mouth advertising, only you get to decide who hears it and what is heard. While you may get unsolicited testimonials, it’s a good idea for you to actually ask for a response. In some cases you might want to offer a thank you gift for the comment. Here are some ideas to try:

1. For the fiber artist or longarm quilter who has finished a commission, include a self-addressed stamped reply postcard with the work. Ask for comments that will help you in the future. You might try: Was the communication between quilter and customer adequate? Was the project completed in an appropriate time frame? Encourage the buyer to send you a photo of the quilt in use and ask for any other comments. If you want to thank the person giving you the testimonial, perhaps a small discount on a future order is possible.

2. For the teacher, include an additional comments line on your evaluation form. You’ll not only get ideas to improve your classes, but you’ll also get wonderful and heartfelt comments to use as testimonials.

3. Any book author can tell you how valuable the testimonial blurbs are on the back cover of their book. You will need to ask someone if he or she would be willing to write a blurb and then provide a galley copy of your book for reading. A published book might be a nice thank you for the testimonial.

4. If you sell a product to the general public, you can include a comment card in your packaging. You can request that someone leave a comment on your website or return the comment card via regular mail. Another idea would be to encourage feedback from the user. All products include some written material. You can add a couple sentences about how excited you’ll be to hear back from the user about their experiences with the product. You’ll be surprised at the response you’ll get. I think this would be quite effective for pattern designers.

5. For shop owners it’s easy to get testimonials either with a return card with a purchase or a comment card box somewhere in the store.

After you start receiving these comments, don’t forget to pat yourself on the back. You are delivering a great product and building an ongoing relationship with your customers.

What do you do with the testimonials as you get them? Be sure to include them in all your advertising. Here are some specific ideas:

1. Create a page for testimonials on your website. We have one we call Success Stories. You could also intersperse them throughout your site.

2. Include testimonials in your catalog. For example, a pattern designer might include a testimonial about how easy to follow her instructions are.

3. Include testimonials in your tri-fold brochure if you are are teacher or do commission work. It lets potential customers know the value of your work.

4. Include testimonials in any of your print ads. Study ads in magazines to see how testimonials are used.

5. Include testimonials on your product packaging, if space permits. It might be limited to just a few lines, but it could make a difference in someone buying the product.

Lastly, remember you don’t have to use the whole testimonial. You can use an excerpt, just be sure to keep it in context.

How do you gather and use testimonials in your business? Please leave a reply and share your experiences.

Give & Take Fabric Appliqué

Daphne Greig and Susan Purney Mark

AQS: $24.95

I love the possibilities of this simple concept – using a patchwork block, tracing the design onto fusible web, fusing on fabric, cutting the shapes apart and using them in two blocks as a negative and positive. After explaining the concept, Daphne Greig and Susan Purney Mark get you started with the complex New York Beauty block. The book includes 12 different projects and templates and can be adapted to other patterns of your choosing. The authors note that the concept is great for fat quarters and guild challenges. This is a fun technique to add to your toolbox.

Look for the book at your favorite quilt shop or book retailer. Here’s a link to Amazon if you would like to learn more about the book.

I started this series on the S’s in Success three weeks ago. The first “S” was for Self and the second was for Systems. The last “S” I call Support. You can’t build a successful business without support.

At some point in the growth of your business, you realize that you need help, that you need to create a team. In my case with the International Association of Professional Quilters, I have an amazing team that supports our growth. I cannot operate this business without this team, and I am grateful every day for them. They include our regular columnists and writers, our art director, our advertising representative, our copy editors, our virtual assistant, our web developers, our printer and mailing house, and more.

When I first started publishing The Professional Quilter, I did much of the work myself. As the business grew, I saw the need to create a team. It had several positive results. It let me concentrate in the areas where I’m really good, and it let me spend time on building the business. It also let me support others who want to work in their areas of brilliance. That left me with more energy for my work. It was really win-win for everyone.

I’m sure many of you are in the same position. When you started your business, you tried to do everything yourself. At the time, it seemed like the most cost effective way to go. At some point, though, you realize that it’s time to bring others on board. I know that it’s often a cost issue. How can you afford someone to help you? If you really look at how much it costs to hire someone for a task, you’ll realize that you can make more per hour working on what you do well than you pay the person you hire. Here are team members you might consider:

1. A bookkeeper. Many creative people are not “numbers oriented.” Of course, it’s critical that we know how much money is coming into our business and how much is going out. We don’t need to do the daily number inputting. A bookkeeper will, in many cases, work much faster than you can. For many solopreneurs, this is the first person they hire.
2. A child care provider. On a more basic level, if you can pay someone to care for your children during the day or after school, you’ll be freer to create your product or market your business.
3. An in-office helper. Quilters have lots of fabric and it gets in disarray. Sometime ago, one of our members asked about staying organized. I suggested that she hire a high school girl to come in once or twice a week and help put fabric away and keep her studio organized. Traveling teachers can also use an in-house helper to create the handout packets or pack the supplies for classes.
4. An apprentice. This is a great idea for someone who dyes fabric or makes quilts for craft shows. You can have someone complete some of the preliminary parts of the job or work under your direction. A longarm quilter could hire someone to load the quilt or handle pantographs.
5. Pattern testers, stitchers. Your task as a designer is to create designs and market them. If you have people who can test your patterns and stitch and quilt your quilts, you can spend more time creating.
6. A virtual assistant. I have used a virtual assistant for three years now. A virtual assistant is your administrative partner. She runs her own business and usually works from her own home. I’ve never met any of my virtual assistants in person, yet I feel confident that they can complete the tasks I have for them. Your virtual assistant will be skilled to handle lots of administrative, marketing or technology tasks. A virtual assistant would be perfect for handling some of the social media tasks or keeping track of your teaching assignments.

I think it’s sometimes hard to take the step to hire the first team member. Once you do take that step, it becomes easier to look for tasks that someone else can complete so you can get your work accomplished. I’ve found over the years that my virtual assistant has helped me look for work she can do, and it’s had a positive impact on my business.

Finding team members can also be a challenge. I think we’re lucky in that as quilters we have a network of other quilters who want to help us. When I looked for help, I advertised in my guild newsletter and found great additions to my team. I’ve also used referrals from friends. Other options include looking for someone in your neighborhood, your local high school or college, your church, the local senior center, even Craig’s List. People with the skills you need are looking for work.

What kinds of support do you have in your business? Where did you find this support? Are there tasks that you could pass along to someone else freeing your time up to work in your brilliance? Take some time this week to look at areas where you can get support and share your results on the blog.

Best of Fons & Porter: Favorite Quilts
Marianne Fons and Liz Porter
Leisure Arts; $24.95

This collection of 25 quilts was chosen by Marianne Fons and Liz Porter as their favorites, and the quilts are also some of the most popular from their more than 30 years as quilting partners. They range from quick and easy to more challenging quilts. Styles include traditional and contemporary and feature a variety of fabrics from reproductions to batiks. The book also includes 15 Sew Easy™ technique lessons plus general instructions and information on quitting feathers.

Look for the book at your favorite quilt shop or book retailer. Here’s a link to Amazon if you would like to learn more about the book.